Learning to Spell 3

Learning to Spell 3My work often fluctuates between wild and expressive attacks on the canvas and more pensive explorations of organic shapes. The works in this series were named after the poem by Margaret Atwood called "Spelling."Morgan expertly navigates thoughtful themes and familiar emotions that come to her in her practice and translates them through abstraction. Morgans abstract works can certainly stand alone on any wall, but they complement one another so well,

so they work both vertically and horizontally

The obvious home for Grace’s “After Dinner” series would be in the kitchen

but the movement and light within the frame is inescapable

Senil Neves Pastel on Pressed Mineral Paper This piece represents a departure from the discipline of Taylor s pen drawings and mark a confident transition to a new medium

the larger as a stunning focal point in a minimal space

Watercolor allows the mixing of precise marks and stains

Painting the long fluid lines of these prints evokes a sense of calm

Erin Patton McFarren Cyanotype The interplay of elements in natural create a spontaneous moment on paper gently marketing time and place making what begins as a simple form of photography into the ephemeral print

This work comes in two sizes and would work well hung solo or on a gallery wall

Jordan Grace Owens Acrylic and oil stick on canvas My latest body of work draws on the language of still life and figure the abstract shapes in my compositions suggestive of object and body These paintings explore the relationships between these forms as they touch support and press against each other

inviting viewers to acknowledge their own relationship with the natural world around them

Erin created them with no specific orientation in mind